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Tête à Tête is a London-based opera company that commissions new works. Its primary mission is to reach new audiences, support artists' development, and to extend the boundaries of traditional opera.[1]
History[edit]
A charity-based arts company, Tête à Tête was founded in 1997 by its current Artistic Director, Bill Bankes-Jones, the conductor Orlando Jopling and then-administrator Katie Price. Originally the company produced works such as The Flying Fox (Die Fledermaus). This was first performed at the Battersea Arts Centre in 1998 then went to the Purcell Room. Shorts followed in 1999, again first performed at the Battersea Arts Centre and then revived at the Bridewell Theatre in 2001. Shorts became Tête à Tête's first touring production. The company established Tête à Tête: The Opera Festival in 2006.[2] The festival has since played host to over 150 guest companies.[citation needed] It is currently led by Bill Bankes-Jones, music director Timothy Burke, and administrative director Anna Gregg.
In 2012, the company collaborated with the Royal College of Music to create new operas based on Great Expectations, written by composition students at the College.[3] The collaboration has continued, with subsequent operas based on Hogarth's Stages, Crime and Punishment, and Frankenstein.[4]
Tête à Tête: The Opera Festival[edit]
Tête à Tête initially presented the festival at Riverside Studios across three weeks in August, with a range of artists who are given free rein to present their work, some of which is still in progress. The Festival has taken place in the King's Cross area since 2015, with pop up performances taking place in libraries, museums, and other public places as a part of the Festival since 2017.[5] The Festival has included over 400 new operas across over 1,000 performances, with 75,000 people seeing a performance in person or online.[6]
In 2016, the company was awarded a UK Arts Online Award for its online archive of its performances, which is dominated by performances from the Festival. It is the largest online video resource of new opera in the world, reaching audiences in 155 countries.[6]
Previous participants in the Festival include Oliver Mears,[7]Kerry Andrew,[4]Errollyn Wallen,[8]Bishi,[9]Jane Manning,[10]Na'ama Zisser,[11]CN Lester,[12] and Ayanna Witter-Johnson.[13]
In a review of two works presented at the 2010 festival by Rupert Christiansen, subtitled 'Tete a Tete's annual Opera Festival is wonderfully random, and throws up some fine things', Christiansen wrote: 'You never know quite what you're going to get or how good or bad it's going to be, and that's exactly as it should be.'[14]
Past productions[edit]
Past productions have often been supported by the company's associate musical ensemble CHROMA and include:[5]
- 1998 - 2000 The Flying Fox (Die Fledermaus) by Johann Strauss[15]
- 1999 - 2001 Shorts, a collection of short operas including Platform 10 by Julian Grant and Christina Jones, Doggone by Gary Carpenter and Simon Nicholson, The Nightjar by Elfyn Jones and Toby Satterthwaite, Seven Tons of Dung by David Bruce and Bill Bankes-Jones, and Glue by Rachel Leach.[16]
- 2000 Orlando Plays Mad (Orlando finto pazzo) by Vivaldi)[17]
- 2002 Six Pack, a co-production with English National Opera.[18] A collection of short operas including Jack & Jill by Rachel Leach and Jo Davies, Doorstepping Susannah by Helen Grime and Davey Moore, Odd Numbers by Julian Grant and Christina Jones, The Phone Call by John Webb and B. A. Diana, Has it Happened Yet? by David Bruce and Bill Bankes-Jones, and Waiting for Jack by Richard Taylor and Lynne Williams.
- 2002 The Canticles by Benjamin Britten, a co-production with Streetwise Opera[19]
- 2003 Family Matters by Helen Chadwick, Pete Flood, Cheryl Francis-Hoad, Mike Henry, James Olsen, and John Webb, to a libretto by Amanda Holden[20]
- 2005 A Shetland Odyssey by Julian Grant and Hattie Naylor[21]
- 2006 Odysseus Unwound by Julian Grant and Hattie Naylor[21]
- 2006 Push by David Bruce and Anna Reynolds[22]
- 2007 Blind Date, a collection of short operas including Anger by Julian Grant and Meredith Oakes, On Such a Day by Anna Meredith and Philip Ridley, The Feathered Friend by Helen Chadwick and Alasdair Middleton, Houses by Christopher Mayo and Christopher Crebolder, and Nyanyushka by Gary Carpenter and Simon Nicholson (This was the first year of Tête à Tête: The Opera Festival).[23]
- 2008 Lite Bites, a collection of short operas including Fairytale Relationship... yeh right by Laura Bowler and Alasdair Middleton, The Agony of the Knife Thrower's Assistant by Michael Henry and Adey Grummet, and Bumblepuppy by Evangelia Rigaki and W.N. Herbert.
- 2008 The Cumnor Affair: An Elizabethan Murder Mystery by Philip Cashian and Iain Pears.[24]
- 2008 Johnny's Midnight Goggles[25]
- 2009 Circus Tricks by Michael Henry and Adey Grummet[26]
- 2009 Salad Days by Julian Slade and Dorothy Reynolds[27]
- 2009 Lite Bites, a collection of short operas including Golden Years by Jordan Hunt and La JohnJoseph, Lear TV by Joanna Lee and Howard Skempton, The Inventor by Dominique Le Gendre, and Toxic Assets by Joe Cutler and Peter Burt.[28]
- 2010/11 Salad Days (ran from November 2010 to February 2011 at Riverside Studios[29]
- 2010 Icarus by Michal Zev Gordon and Stephen Plaice[30]
- 2010 Lite Bites, a collection of short operas including Contact by Robert Fokkens, Just Bloody Schmooze the Woman! by Stephen Crowe, Only Connect by Julian Grant, and The General by Dominique Le Gendre[31]
- 2011 Lite Bites, a collection of short operas including Everybody's Watching! (In Da Park) by Tom Floyd and David Spittle, New World by Samuel Bordoli and Mark Ravenhill, Sparklepuff by Gary Carpenter and Simon Nicholson, The Fox and the Crow by Charlotte Bray and Mark Ravenhill[32]
- 2011 Love Songs by Robert Fokkens[33]
- 2011 Daughters of the Elements by Stephen McNeff, with a verbatim libretto from Marie Curie and family.[34]
- 2012 Great Expectations, a co-production with the Royal College of Music. A collection of short operas including I remember The Ship by Jude Obermuller and Genevieve Dawson, Gary of the Atlantic by Ed Bell, Lay Down and Stay by Michael Shearer and Claire Frewin, White Star by Chris Roe and Alex Knox, Aqualung by Louis d'Heudieres and Huw Crowley, and Una Tragedia Di Proporzione Titaniche by Laurence Osborn and Theo Merz.[35]
- 2012 Amerika by Samuel Bordoli, after Franz Kafka's novel.[36]
- 2012 Lite Bites, a collection of short operas including Caring In The Community by Ergo Phizmiz, Earthly Desires by Laurence Osborn and Theo Merz, Love Bytes by Cheryl Frances-Hoad and Tamsin Collison, Love Letter by Owen Bourne, and Circus Tricks by Michael Henry and Adey Grummet.[37]
- 2013 Lite Bites, a collection of short operas including Cat-Astrophe by John Webb and Tamsin Collison, Dart's Love by Kerry Andrew and Tamsin Collison, Long Lankin by Fleur de Bray, Of My Daughter's Prayer by Will Handysides and Declan Kolakowskiy, and Recurrent by Matt Rogers and Sally O'Reilly.[38]
- 2013 Gala by Ergo Phizmiz[39]
- 2014, Hogarth's Stages, a co-production with the Royal College of Music. A collection of short operas including On False Perspective by Josephine Stephenson and Benjamin Osborne, The Bet by Algirdas Kraunatis, Now by Lewis Murphy and Laura Attridge, Hogarth's Bastards by Hunter Coblentz and Jordan O'Connor, and Serpentine, or The Analysis of Beauty by Edwin Hillier and Edward Allen.[40]
- 2014, GRIND by Samuel Bordoli and Bill Bankes-Jones[41]
- 2014, April in the Amazon by Laurence Osborn and Theo Merz[42]
- 2014, Pop Up Operas, a collection of short operas including Cakehead by Errollyn Wallen, Precipitation by Helen Chadwick and Carl Miller, and Will You Fall by Na'ama Zisser and Stella Duffy.[43]
- 2015, Bon Voyage, a happening by Catherine Kontz[44]
- 2015, Pop Up Operas, a collection of short operas including My Mother My Daughter by Orlando Gough, Wake Up! by Ayanna Witter-Johnson and Susannah Waters, UnconGENIE-al by James Garner and Anna Pool, and Chuggers by Sophie Sparkes and Jenny Colgan[45]
- 2015, People Watch by Stef Conner and Bill Bankes-Jones. A co-production with Streetwise Opera.[46]
- 2015, The Last Seed by Na'ama Zisser and Stella Duffy[47]
- 2016, Great Expectations, a co-production with the Royal College of Music. A collection of short operas including Stream of Consciousness, Sea of Blood by Benjamien Lycke and Mien Bogaert, 76 Days by Kenichi Ikuno Sekiguchi, BEL and the DRAGON by Alex Paxton, The Two Sisters by Algirdas Kraunatis and Grace Lee-Khoo, Der Eisenhut by Amy Bryce and Roland Karl Bryce, and Killer Graphics by Sam Hall and Darren Rapier[48]
- 2016, Boys of Paradise by Vahan Salorian and Dominic Kimberlin. A co-production with WorkshOPERA[49]
- 2017, Belongings by Samuel Bordoli and Bill Bankes-Jones. A co-production with SoundScotland[50]
- 2017, Score! A medley of different works previously presented by Tête à Tête[51]
- 2017, The Hive by Harvey Brough and Carole Hayman[52]
- 2017, Bohememergency, a parody of Puccini's La Bohème, with music arranged by Timothy Burke and a translation by Bill Bankes-Jones (originally named 'Surprise Package')[53]
- 2018, Frankenstein - The Modern Prometheus, a co-production with the Royal College of Music. A collection of short operas, including Amira by Joe Kiely, Our Perfect Child by Sophie Sparkes and Deborah McMahon, John Henry by Maeve McCarthy and Gary Matthewman, Bear & Friends by Lente Verelst and Hans Vercauteren, and The Fermi Paradox by Lara Poe and Raphael Ruiz.[54]
- 2018, TOSCATASTROPHE!, a parody of Puccini's Tosca, with music arranged by Timothy Burke and a translation by Bill Bankes-Jones.[55]
- 2019, Pop Up Operas, a collection of short operas including Aliens In The Streets by Vahan Salorian and Dominic Kimberlin, Hand Clap by Catherine Kontz and Emmy Lou Vaxby, and We Did Our Best by Anna Appleby and Ruth Mariner.[56]
- 2019, Madame Butterflop, a parody of Puccini's Madame Butterfly, with music arranged by Timothy Burke and a translation by Bill Bankes-Jones.[57]
References[edit]
- ^'About Us'. Tête à Tête - The Future of Opera. Retrieved 25 November 2019.
- ^Church Michael (23 July 2010). 'Tête à Tête's short and sweet opera treats'. The Independent
- ^'Great Expectations (2012)'. Tête à Tête - The Future of Opera. Retrieved 29 November 2019.
- ^ ab'History'. Tête à Tête - The Future of Opera. Retrieved 25 November 2019.
- ^ abtete-a-tete.org.uk. Previous productions
- ^ abNouvague (2017). 'Tête à Tête 10th Anniversary Festival Report'(PDF). Tête à Tête.
- ^'The Three Wishes'. Tête à Tête - The Future of Opera. Retrieved 25 November 2019.
- ^'You searched for Wallen'. Tête à Tête - The Future of Opera. Retrieved 25 November 2019.
- ^'BISHI: The Good Immigrant'. Tête à Tête - The Future of Opera. Retrieved 25 November 2019.
- ^'Jane's Contemporary Clinic 3'. Tête à Tête - The Future of Opera. Retrieved 25 November 2019.
- ^'Pop Up Operas'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'MIX'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Ayanna Witter-Johnson'. Tête à Tête - The Future of Opera. Retrieved 25 November 2019.
- ^Christiansen, Rupert (9 August 2010). 'Review: Tete a Tete Opera Festival, Riverside Studios, Hammersmith'. The Daily Telegraph
- ^'The Flying Fox (1998)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Shorts (1999)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Orlando Plays Mad (2000)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^Tanner, Michael (23 February 2002). 'Handful of fun'. The Spectator
- ^'The Canticles (2002)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Family Matters (2003)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^ abChristiansen, Rupert (7 October 2006). 'Opera loosens its corsets'. The Daily Telegraph
- ^'Push! (2006)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Blind Date'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'The Cumnor Affair (2008)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Johnny's Midnight Goggles'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Circus Tricks (2012)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Salad Days (2009)'. Tête à Tête - The Future of Opera. Retrieved 29 November 2019.
- ^'Lite Bites (2009)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Salad Days (2009)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Icarus'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Lite Bites (2010)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Lite Bites (2011)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Love Songs'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Daughters of the Elements'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Great Expectations (2012)'. Tête à Tête - The Future of Opera. Retrieved 29 November 2019.
- ^'Amerika'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Lite Bites (2012)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Lite Bites 2013'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Gala'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Hogarth's Stages (2014)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'GRIND'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'April in the Amazon'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Pop Up Operas'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Bon voyage'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Pop Up Operas'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'People Watch'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Moonlight/The Last Seed'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Great Expectations (2012)'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Boys of Paradise'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Belongings'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'20 Years of Tête à Tête: Score!'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'The Hive'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Surprise Package: Cubitt Sessions'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Frankenstein – The Modern Prometheus'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'TOSCATASTROPHE!'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Pop Up Operas 2019'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
- ^'Madame Butterflop'. Tête à Tête - The Future of Opera. Retrieved 4 December 2019.
External links[edit]
- Streetwise Opera's Canticles (a co-production with Tête à Tête)
Montoliu (left), with Bobby Hutcherson at Kuumbwa Jazz Center, Santa Cruz, California, 14 May 1984 | |
| Background information | |
|---|---|
| Birth name | Vicente Montolíu Massana |
| Born | March 28, 1933 Catalonia, Spain |
| Died | August 24, 1997 (aged 64) |
| Genres | Jazz |
| Occupation(s) | Musician |
| Instruments | Piano |
Vicente Montolíu Massana,[1] better known as Tete Montoliu (28 March 1933 – 24 August 1997) was a jazz pianist from Catalonia, Spain. Born blind, he learnt Braille music at age seven. His styles varied from hard bop, through afro-cuban, world fusion, to post bop. He recorded with Lionel Hampton in 1956 and played with saxophonist Roland Kirk in 1963. He also worked with leading American jazz musicians who toured in, or relocated to Europe including Kenny Dorham, Dexter Gordon, Ben Webster, Lucky Thompson, and Anthony Braxton. Tete Montoliu recorded two albums in the US, and recorded for Enja and Soul Note in Europe.[2]
- 2Discography
Biography[edit]
Montoliu was born blind, in the Eixample district of Barcelona, and died in the same city. He was the only son of Vicenç Montoliu (a professional musician) and Àngela Massana, a jazz enthusiast, who encouraged her son to study piano. Montoliu's first experimenting with the piano took place under the tutelage of Enric Mas at the private school for blind children that he attended from 1939 to 1944. In 1944, Montoliu's mother arranged for Petri Palou to provide him with formal piano lessons.
From 1946 to 1953 Montoliu studied music at the Conservatori Superior de Música de Barcelona, where he also met jazz musicians and became familiar with the idiom in jam sessions. During the early stages of his career, Montoliu was particularly influenced by the music of U.S. jazz pianist Art Tatum, although he soon developed a distinctive style. (Coincidentally, Tatum was also impaired with extremely limited vision). Montoliu began playing professionally at pubs in Barcelona, where he was noticed by Lionel Hampton on 13 March 1956. Montoliu toured with Hampton through Spain and France and recorded Jazz Flamenco, setting off a prolific international career.
In the 1960s, Montoliu played in various concerts at New York and established collaborations with drummer Elvin Jones and bassist Richard Davis. Tete frequently appeared in Madrid during the 1960's at the Whiskey Jazz Club with musicians Pedro Iturralde and singer Donna Hightower. During the 1970s, Montoliu travelled extensively throughout Europe, consolidating his reputation as a main referent in the hard bop movement. During the 1980s, he played in numerous concerts, collaborating with jazz players such as Dexter Gordon, Johnny Griffin, George Coleman, Joe Henderson, Dizzy Gillespie, Chick Corea, Hank Jones, Roy Hargrove, Idris Muhammad and Jesse Davis, among others.
In 1996, shortly before his death, Spain paid public tribute to Montoliu for his fifty-year career in jazz.[3]
Discography[edit]
- 1965: A Tot Jazz (Concentric)
- 1965: A Tot Jazz/2 (Concentric)
- 1966: Tete Montoliu Presenta Elia Fleta (Concentric) with Elia Fleta
- 1968: Piano for Nuria (SABA)
- 1969: Tete Montoliu Interpreta a Serrat (Discophon)
- 1971: Body & Soul (Enja)
- 1971: That's All (SteepleChase) released 1985
- 1971: Lush Life (SteepleChase) released 1986
- 1971: Songs for Love (Enja) released 1974
- 1971: Recordando a Line (Discophon)
- 1973: Temas Latinoamericanos (Ensayo)
- 1974: Catalonian Fire (SteepleChase)
- 1974: Music for Perla (SteepleChase)
- 1974: Tete! (SteepleChase)
- 1974: Vampyria (BASF) with Jordi Sabatés
- 1976: Tête à Tete (SteepleChase)
- 1976: Tootie's Tempo (SteepleChase, released 1979)
- 1976: Words of Love (SteepleChase, [1978])
- 1977: Blues for Myself (Ensayo)
- 1977: Meditation (Timeless) with George Coleman
- 1977: Yellow Dolphin Street (Timeless)
- 1977: Secret Love (Timeless)
- 1977: Boleros (Ensayo)
- 1978: Catalonian Folksongs (Timeless)
- 1979: Al Palau (Zeleste-Edigsa)
- 1979: Live at the Keystone Corner (Timeless, released 1981)
- 1979: Lunch in L.A. (Contemporary)
- 1980: Boston Concert (SteepleChase)
- 1980: I Wanna Talk About You (SteepleChase)
- 1980: Catalonian Nights Vol. 1 (SteepleChase, released 1981)
- 1980: Catalonian Nights Vol. 2 (SteepleChase, released 1985)
- 1980: Catalonian Nights Vol. 3 (SteepleChase, released 1998)
- 1982: Face to Face (SteepleChase, [1984]) with Niels-Henning Ørsted Pedersen
- 1984: Carmina (Jazzizz)
- 1986: The Music I Like to Play Vol. 1 (Soul Note)
- 1986: The Music I Like to Play Vol. 2 (Soul Note, released 1989)
- 1988: Orquestra Taller de Músics de Barcelona amb Tete Montoliu (Justine)
- 1989: New Year's Morning '89 (Fresh Sound) with Peter King
- 1989: Sweet 'n Lovely 1 (Fresh Sound, released 1991) with Mundell Lowe
- 1989: Sweet 'n Lovely 2 (Fresh Sound, released 1991) with Mundell Lowe
- 1990: The Music I Like to Play Vol. 3 (Soul Note)
- 1990: The Music I Like to Play Vol. 4 (Soul Note, released 1992)
- 1990: The Man from Barcelona (Timeless)
- 1991: A Spanish Treasure (Concord Jazz)
- 1992: Catalonian Rhapsody (Alfa)
- 1992: Music for Anna (Mas i Mas)
- 1995: Tete en la Trompetilla: En Vivo (SRP Discos)
- 1995: Tete Montoliu en El San Juan (Nuevos Medios)
- 1996: Montoliu Plays Tete (DiscMedi)
- 1996: T'Estimo Tant (DiscMedi)
- 1997: Palau de la Musica Catalana (DiscMedi)
- 1997: Per Sempre Tete (DiscMedi)
- 1997: Momentos Inolvidables de una Vida (Fresh Sound)
- 2005: Jazz en Espana (Rtve)
As sideman[edit]
With Anthony Braxton
- In the Tradition (SteepleChase, 1974)
- In the Tradition Volume 2 (SteepleChase, 1974 [1977])
With Núria Feliu
- Núria Feliu with Booker Ervin (Edigsa, 1965) with Booker Ervin
With Dexter Gordon
- Cheese Cake (SteepleChase, 1964 [1979])
- King Neptune (SteepleChase, 1964 [1979])
- I Want More (SteepleChase, 1964 [1980])
- Love for Sale (SteepleChase, 1964 [1981])
- It's You or No One (SteepleChase, 1964 [1983])
- Billie's Bounce (SteepleChase, 1964 [1983])
- Bouncin' with Dex (SteepleChase, 1976)
With Eddie Harris
- Steps Up (SteepleChase, 1981)
With Rahsaan Roland Kirk
- Kirk in Copenhagen (Mercury, 1963)
- Dog Years in the Fourth Ring (32 Jazz, 1997) – appears on one track only
With Charlie Mariano
- It's Standard Time Volume 1 (Fresh Sound)
- It's Standard Time Volume 2 (Fresh Sound)
With Jordi Sabatés
- Tot l'Enyor de Dema (Edigsa, 1976)
With Archie Shepp and Lars Gullin
- The House I Live In (SteepleChase, 1963 [1980])
With Buddy Tate
- Tate a Tete (Storyville, 1975)
- With Lucky Thompson
- Soul's Nite Out (Ensayo, 1969)
With Ben Webster
- Ben Webster Meets Don Byas (MPS, 1968) with Don Byas
- Ben Webster in Hot House (Hot House, 1972 [1979])
- Gentle Ben (Ensayo, 1972)
References[edit]
Tete A Tete Poker Blind Man
- ^Allmusic
- ^'Tete Montoliu Biography'. Retrieved 5 January 2017.
- ^'Cincuenta años de un genio cercano' El País. 11 March 1996. http://elpais.com/diario/1996/03/11/cultura/826498804_850215.html